Poets A to J


    Gary Beck - Three Poems from Dawn in Cities

    Recurrence

    It is the twilight hour of silence.
    The slumberous streets are empty
    save for the walkers until sunrise,
    who haunt the paved lanes
    awaiting the dawn of tomorrow,
    which comes in opaque, orange gleams,
    revealing filth abandoned
    by the resentful death of yesterday.

    Search

    We walk the lonely streets of cities
    lost to warmth and human roots,
    peering in the storefront windows
    at the excess of luxury,
    staring at people bound for somewhere,
    trapped in the anguish of the outcast,
    shrinking from the judging eyes of strangers.
    We shall walk the empty streets of cities
    searching for the refuge of the moment,
    the too-brief pause from crazed wandering
    through the promise-world, yet undelivered,
    hoping some tiny place upon the earth
    will give us comfort and shelter,
    before we are erased by dawn


    Survival Strain

    Hastening birth to death
    dream city of dangerous dawns,
    corpse of ceremonies
    dropped from sooty womb,
    nourished on cracked streets and crumbling subways,
    nurtured by sirens and unanswered pleas for help.
    Your sons and daughters are citizens of suspicion,
    whose midnights have no more enchantment,
    whose faces are birds of apprehension
    singing no more songs of morning.


    Corrine De Winter - Three Poems


    SAWING THE WOMAN IN HALF

    Although you’ve left me to myself
    You’re still pulling dahlias
    From a top hat,
    Still sawing the woman in half.

    Must I walk through these rooms
    Of the dead
    I have so far
    Only heard rumors of.

    Tell me, magician,
    How is it that I am haunted
    By the things we never did,
    And why I see your face
    Across the bonfire
    Where it should’ve been.


    EXPOSURES

    In dry drawing rooms,
    In neutral colored executive suites,
    I’m still meeting you
    For kisses pulled from blue vineyards.

    A succession of cigarettes
    While I tell you how, as a child,
    I spent summer afternoons
    In a sweaty waiting room
    For a crooked doctor
    To fill out prescriptions
    In chicken scratch.
    The room silent and stifling
    Except for a polluted fan whirring
    And the voice of my mother
    Cursing the heat in Italian.
    I watched people disappear
    Behind a nameless door,
    And emerge smiling,
    Slips of white paper in their hands.
    Dr. K.

    Drinking green wine from Portugal,
    Remembering the nests
    Over our garage
    Where baby birds would fall from
    Onto the driveway,
    Bald, slack and wiry
    Like little old men.
    How my Grandfather looked
    In his coffin
    After months of chemo.

    I still meet you
    Beside October.s bloody lakes,
    Let you take my hand
    And tell me the future,
    Knowing that in a year you.d marry
    A woman who pretends photography
    But is really, as the Native American legend claims,
    Capturing souls.
    The one dimensional woman
    Whose dreams are underexposed.

    I listen to you tell me how
    I make your palms sweat.
    I let you play with the fire in my hair.
    I accept your pretend smile
    When I ask if you know
    What foxglove is for?
    It.s used to put the heart on an even keel,
    Or simply just to kill.
    I tell you it grows
    Beside my front steps.

    I still meet you on moony golf courses,
    Send you love letters on gum wrappers
    I.ve written in strange rooms near dawn.
    I still question if you can crawl
    Through Steinbeck.s dusty worlds,
    Or Salinger.s desperations.
    Can you be the desperadoes
    James Dean made flesh?
    Can you get your hands dirty
    From the truth.

    I tell you about the dogwood.s
    Crucifixion stains,
    The sunflower.s inflorescence.
    Tell you how, if the timing is right,
    I could fall in love with anyone.
    One was wayward and hungry as a crow.
    One was named Hartman
    With a voice like somber violin.
    And another, Saint John,
    Like Christ.s best friend.

    I tell you the Virgin is beautiful
    With her powder blue robe
    And a crown of 13 glittering stars.
    In every vision she is flawless and sad
    As a porcelain doll,
    Sends silent messages
    Like small implosions.
    And the world.s going to hell.
    All except for you.

    I tell you, how once upon a time,
    In the midst of a church sermon
    I watched a very tall boy fall backwards
    Like great redwood tree.
    On the crimson carpet
    People crowded around him,
    Tried to lift him
    Like ants moving a piece of food.


    15 years ago I.d dream
    Of dead rock stars resurrecting,
    Turning up in the west, in disguise.
    They.d work in the fields,
    Their long hair smelling of rain
    And sycamores.
    Alongside them I would wear
    Cotton frocks,
    Gather vegetables and fruits
    To store in Mason jars.
    We.d make occasional trips to Spain.
    15 years ago I.d dream of dead rock stars.


    At the Café Amsterdam
    Inside Kennedy Airport
    There.s a bartender whose worked there
    33 years, all day watching
    People fly away and land.
    All day pouring liquid topaz
    Against their wounds.

    And everyone.s going to hell.
    All except for you.

    I tell you
    You can devote your whole life
    To one thing, one person,
    And only come away
    With a little spare change.


    UNFINISHED SONG

    So far the day unwinds
    Like a hearse cutting through
    February snow.
    The stand up bass lays askew,
    An abandoned body.
    A nuclear feel
    Of alcohol and cigarettes
    Twinkles in my throat.

    Music has followed us here,
    Penetrating the hollows,
    Remembering the details.
    Music, always confronting you
    From out of nowhere
    With its French kiss.
    It flows in the bloodstream,
    Wild and evergreen.

    Music has followed us here,
    Smooth as glass
    Weathered by the sea.
    It does not forget its own optics,
    Leaving the impression
    Of an unfinished song
    Like Veronica.s cloth.

    It flows in the bloodstream,
    Wild and evergreen.


Jeanpaul Ferro - Three Poems

    October in Providence
    by Jéanpaul Ferro

    This love that I wish to acquire
    is an in between,
    both a joy and a sadness.

    I think a true soul is someone I haven't met,
    a rapport that is not real,
    a person that does not exist,

    —an autumn with no one in it.

    If nothing changes
    by Jéanpaul Ferro

    nothing changes the gray and crystalline
    mop top of the outcrop will crumble,

    rock will become soil, and air will become poison,
    forests will become deserts, and the sea will overflow
    over land, the red forest floor will burn like ash,

    beneath the surface of the earth crystal blue flowers
    will stay dormant for a thousand years,

    gold elements will stay dark like coins hidden in a
    closed fist, airplanes will crash, and wars will be
    perfected,

    the pink flash of gunfire will light up every night,
    and you will be able to see this from outer space.

    Oh, please, oh, please change, please change, because
    I want to change too,

    don’t want to lose you; I don’t want to go through
    every day like this:

    as though I am a living dead; I don’t want to awake
    in darkness the whole world over,

    I want to find the green light that glows across
    the headland,

    I want to drink from the dried up lake that’s been
    missing,

    I want to dig up the coffins and talk to the dead,

    I don’t ever want to find myself writing these words—

    Waterplace Park
        by Jéanpaul Ferro

    General unhappiness on the side of my soul,
    the Freud in me, his father in him,
    and we can’t change the past.

    Maybe if we all turn inward, fool ourselves ‘it’ll be alright,’
    North Korea and Sudan and Iraq just television after all,
    not another holocaust; I mean: it’s not real ... right?

    Nothing is real,  
    and what do we know anyway?

    Satan and Jesus in us both at once.



    S. P. Flannery - Four Poems

    Captured Beauty

    Her shape transforms into an instrument
    as the blood drips into a clay-fired bowl,
    that lies in a salt cracked hand;
    a drop trickles on to his leather sole.

    The brush of hair imprints the wedded grain
    across the stain mixed with humor of her life,
    given up in midst of the final scream of birth;
    he wipes the residue off the sharpened knife.

    He stares at the completed shrine,
    with wine easing the loss of wife and son,
    the shattered trinity he could never carve;
    his torn tunic buttons become undone.

    The pall lifts to shine the new day through
    curtains drawn to conceal from the perigee glare,
    and the wasteland that demolished inspiration's strings;
    this song of anguish he cannot live to bare.


    Hunger

    I can only hear the rumbles
    and whines of my stomach
    when I happen to stop and listen
    for that brief moment
    when work takes a pause
    and machines hum monotonously
    and voices grind to silence
    between incoming expectations
    of a hidden hierarchy
    dispensing the jumble of tasks
    that we must solve quickly
    before a queue piles high
    and the final sweep of completion
    elicits a slight drawn smile
    from faces beaten down
    by these now uncountable
    wasted years that disperse
    into the wake's eddies,
    a clear acidic liquid
    burning when neglected
    with the accompaniment
    of a rumble only heard
    when I find myself in being
    at a pleasant stare forward.


    Mushrooms

    Among
    fairy-rings we
    hide from visions eaten
    under toad stool caps, beneath our
    morals.


    A Fall Observation

    Yet the rain fell,
    I could see in a stalwart streetlight,
    parachuting from the telephone wire,
    the spray of a celestial river
    most students ignored as
    they hid their hands in denim pockets
    along with constrained smiles
    not permitting the other side
    to read their anxious contentions
    as beads raced down the cheek bone,
    collecting in the basin of the gutter.
    Unaltered dead leaves prevented
    the swell from finishing its course
    where instead it pooled,
    a lake extending into the street;
    yet some high heeled girls didn't care
    because they walked without umbrellas,
    not piercing the surface and
    gliding between the fabric wires
    that strangle those who dwell
    in the work day reality.



      Carol Lynn Grellas - Three Poems

    The Water-bench

    When my father did spring cleaning this year,
    he removed the things that offered aid
    during the last months of my mother's life.
    The wheelchair where she sat numb,
    watching my brothers marry, after I lost her twice
    maneuvering her through cobblestone paths
    on our way to the ceremony.
    Her drinking glass with the bendable straw.
    The one she used daily infused with powder
    to thicken fluids so she wouldn't choke
    except on her own saliva.
    And the oxygen tank with its vacuuming
    sound that droned on so,
    even the dog knew an intruder had entered
    like an uninvited guest when you haven't an extra chair.
    Yes,  I would have asked for the water-bench.
    The one we balanced on every morning
    while I became soaked from the two of us cleansing,
    the way she'd giggle about my t-shirt
    completely see-through, both exhausted
    from the scrubbing and shaving of limp legs
    in awkward positions.   
    I remember how soft she looked -
    like a young girl with her translucent skin
    the color of white asters, and how she cried
    when we'd brace against the wall,
    twisting our course back to the bedroom,
    holes punched through plaster
    finding our footing, clumsy oafs
    as we'd fall on each other like drunks.
    I would have kept that bench,
    maybe sat there again on a peaceful day,
    when I missed her needing me
    before she was evacuated
    with everything else that was a part of her
    as if it never was.

    That Beautiful Girl

    Just once I wanted to be that girl,
    the one who everyone scorned.
    She wore miniskirts and go-go boots,
    danced to her pulse on table-tops
    while all the boys chugged shots round the horn.
    She whispered with an accent,
    changed her name to Candy, smoked long cigarettes
    between classes, leaving a stain on every filter
    the color of rhododendrons, her lips
    forever crimson-dewed.
    Oh to be that girl, the girl who sang Summertime.
    She played piano in a red nightgown
    and opened her door on blustery nights
    so the rain would tip-toe in her bedroom.
    She pranced like a deer
    barefoot in the meadow, carried her shoes
    in a sequined bag and laughed when she broke
    her toe on the sprinkler to the sound of Dream Weaver.
    She exchanged virginity for the art of Kama sutra
    and wrapped mink coats over peachy nudeness;
    stolen furs from her mother's collection.
    That girl laughed like a purring cat,
    head tipped back for her murmuring throat,
    then sauntered around with her slinky step
    like a sultry Odalisque.
    She'd bask naked at the bedroom window
    the sun rolling between her breasts
    the light casting a pink glow
    as if one ray might boomerang,
    like a curved missile, sending some lost boy
    to vaporize through glass,
    an offering, a lamb willing for the sacrifice,
    the onetime experience of this eccentric
    love-goddess-maiden.
    Oh, such a life took a toll on that girl,
    that best-friend girl whose heart
    was made of birds, winged with full-flight.
    They say she died last year, but no one told me.
    I would have loved to tell her story,
    reciting her eulogy to a crowd of stiffs,
    jaws open, eyes bugged-out of their arrogant minds.
    I hope they buried her, nude, in a brown sable coat
    cherry-lipped and barefoot with a book of songs
    spilling from her open hands.

    The Broken Stem

    When she spoke
    in her pocket-sized voice
    she felt like a leaf
    in  bendable green tones.

    Circumventing hazel eyes
    she stared at his chin,
    and the sharp angled bones
    that formed a cleft;

    the soft fissure
    that let his gentleness
    spill onto the crispness
    of a starched white shirt.

    She imagined him walking
    through a field of tulips
    barefoot and rolled cuffs,
    his face haloed with kindness

    unable to step
    on a single flower.

    Michael Lee Johnson -  Five Poems
                
    Mindful, Mindless, October Date

    Mindful of my lover
    running late, as common
    as tying your shoestrings;
    I'm battered as an armadillos shell;
    I put my bands around my emotional body
    armor native to myself and walk like a stud
    in darkness.
    Everything in October has a shade of orange you know--
    a hint of witch and goblin.
    In the leaves between my naked feet
    and toes, as I pace my walk in the parking lot,
    I count them--
    I count them color chart fragments and bites:
    oranges, reds, still mostly greens.
    Barefooted the time of the tear, the year-fragmented.

    I am male battered in a relationship
    tested without my testosterone
    no sexual rectification or recharging
    of my batteries needed.

    I lie limp.
    Native to myself--
    mindless of my lover running late.

    Then she arrives.

    -2007



    Forked in Itasca

    I am so frustrated
    I want to chew
    the dandruff
    out of the internet hair implant
    and dislodge it,
    for a lost love affair I never cared
    about and hardly knew.
    Don't tell me about my sentence structure,
    I am human in these simple words.
    I swear to you I curse.
    Then the ram of my affair falls short
    frustrating my approach to the world
    at my fingertips.
    No Yellow Pages here my love.
    The dial up of my local connection
    is wretched, stuck unincorporated
    in the land I approved to live in,
    monopolized by Comcast the
    robbers of the poor and the humbled.
    All I hear is the rambling of the railroad tracks.
    I grow numb in my deafness faint with my hearing.
    Did I ask for your opinion?
    I am a frustrated foreign camper
    in my own community.
    Of a village I don't live in,
    but I love this local village I lie about.
    I am estranged.
    I tie knots in contradictions
    when I travel light and far,
    visit home I long for a journey
    past where I have never been.
    Is this the reason I am lost
    forked in between
    the poet I think I am
    and the working man
    my bills dictate?

    -2007-


    Jesus Walks

    Jesus lives
    in a tent
    not a temple
    coated with blue
    velvet sugar
    He dances in freedom
    of His salvation
    with the night and all
    days bearing down with sun.
    He has billions of ears
    hanging from His head
    dangling by seashores
    listening to incoming prayers.
    Sometimes busy hours drive Him
    near crazy with buzzing sounds.
    He walks near desert bushes
    and hears wind tunnels
    pushed by pine stinging nettles.
    Here in His sacred voice
    a whisper and
    Pentecostal mind-
    confused by hints of
    Catholicism and prayers to Mary-
    He heals himself in sacred
    ponds tossing holy water
    over himself--
    touching nothing but
    humanity He recoils
    and finishes his desert
    walk somewhat alone.
    Contemplative.

    -2007-


    I'm a Riverboat Boy:
    Poem on Halsted Street


    As sure as church bells
    Sunday morning, ringing
    on Halsted and State Street,
    Chicago,
    these memories will
    be soon forgotten.
    I stumble in my life with these words
    like broken sentences.
    I hear and denounce myself in the distance,
    mumbling chatter off my lips.
    Fragments and chips.
    Swearing at the parts of me I can't see;
    walking away rapidly from the spiritual thoughts of you.
    I am disjointed, separated from my Christian belief.
    I feel like I'm at the bottom of sinner's hill
    playing with my fiddle, flat fisted and busted.
    So you sing  in the gospel choir; sang in Holland,
    sang in Belgium, from top to bottom,
    the maps, continents, atlas are all yours.
    I detach myself from these love affairs
    drive straight, swiftly,
    to Hollywood Casino Aurora.
    Fragments and chips.
    I guess we gamble in different casinos,
    in different corners of God's world,
    you with church bingo;  and I'm a riverboat boy.
    No matter how spiritual I'm once a week,
    I can't take you where my poems don't  follow me.
    Church poems don't cry.

    -2007-


    Hanging Together in Minnesota

    Two thousand men on death row
    in the state of Texas.  I've never
    been here, still I'm worrying
    myself  to death.

    Webs of worry travel fast,
    scan over my memory bank
    back and forth like a copy machine.

    I refuse to get out of my bed
    I'm covered with burnt dream ashes
    held in custody my cobwebbed anxiety
    sheets waiting for the on looking armed
    system of justice to take me away.

    Their loud speakers keep screaming channeled
    commands through vibrating my eardrums;
    their messages keep cross-firing against my own desires.

    There must be a warrant out for my arrest.

    I will not listen period.  I will shut out the sounds period.
    Insanity echoes with stressed sounds.

    It's Sunday morning, prayer time, I swear I will block out
    the church bells ringing on Franklin Avenue, ringing
    at St. Paul's Baptist Church.

    Religion confuses me like poetry or prose.

    I curse I will hang where Christ used to dangle;
    wooden cross-post in a Roman Catholic hole,
    or was it protestant reformation?

    I'm the thief, not the Savior.

    I don't want to die in my worry, my words, stranger in this world
    alone.
    I want to resurrect the dream before the wounds came, and placed me in
    exile.

    Long before the sounds of cell phones came ringing.
    There must be a warrant out for my arrest.
    Mixed in war, thunder, and sentence fragment.

    -2007-







"a hint of witch and goblin"
POETS A to J